Tirta Jayakusuma: Sak Dumuk Cough Sak Nyari Bumi
Tayub Show

The longer it seems that this event is getting crowded so that several times the young men who control Tirta Jaya Kusuma, Bayu and Adnan have peered to see the crowd and see the performances in the place.

Until one time Bayu had conveyed to his friends and also the young men who guarded them so that they would watch the show closer than they just saw from a distance.

"We won't escape, we'll still be in this place. Don't worry!" Bayu said with his face full of smiles so as not to cause suspicion from the three young men who were guarding them.

And for a moment it seemed that the three became alarmed by this offer from Bayu but the one who seemed to be the oldest of the three had expressed his agreement.

"Well we agree with your proposal it's a fat boy" said the oldest of the three men guarding Tirta, Bayu and Adnan.

Thus finally they have approached the direction of the show that looks starting to crowded.

After approaching and being on the left side of the stage in front of Ki Demang's house, they immediately learned that this is a Tayub show that is often held by residents around Pucakwangi area it's for various events.

Some ledek (tayub dancers) seem to have come down.

Previously these dancers only danced on stage, but then some of them have come down to add boisterous atmosphere.

These dancers look beautiful with a dress that is quite beautiful for the size at that time.

But for Tirta, Bayu and Adnan, parts like this are clothes that can only be found in ketoprak performances.

But it cannot be denied that these dancers are quite beautiful with clothes that are only in the form of kemben that cover the upper body as far as their chest so that it accentuates part of the base of their hill so that it has arousal the men both young and old.

Of the four dancers look ledek one of them is a very young person who is likely to be a dozen years old but looks more beautiful and more attractive than three friends.

And it seems that this girl is the idol of the young people in this place.

In his time, Tayub was a very popular folk show that had developed in the era long before the Mataram kingdom and the Pati duchy developed in such a way as today.

Tayub has been around since the Singosari era and continues to grow until modern times.

in the New Order in the early 80s this tayub has developed in the Pati, Blora and Grobogan and Rembang areas and in other areas.

However, as the times progress, tayub is increasingly lost.

At the time Tayub is a performing art that is very favored by the Javanese community in the past.

But there are tayub dance performances that are considered to invite orgasm and cause negative things.

Many nobles and also royal dignitaries who have been captivated by the beauty of the Tayub dancers and one of the Leaders who is famous for being attracted by these dancers is the story of Ki Ageng Mangir named Bagus Wanabaya who had to give up his life due to being attracted by the daughter of Panembahan Senopati named Retno Pembayun.

Panembahan Senopati has deliberately sent a group of dancers to the Mangir area (in the Bantul region). because mangir did not want to submit to Mataram.

Ki Ageng Mangir felt that the Mangir fief was a free land that was not tied to Mataram.

And one of the dancers (ledek) is Retno Pembayun, the daughter of Sang Panembahan Senopati himself.

And when later Ki Ageng Mangir had seen the beauty of Roro Pembayun then interested Ki Ageng Mangir who at that time did not want to submit to the kingdom of Mataram.

Until finally Ki Ageng mangir had to give his life to the in-laws because of his great love for his wife, Retno Pembayun.

When he had to face his father-in-law, then at that time Ki Ageng Mangir who was prostrating in front of the foot of Panembahan Senopati, then at that time, the panembahan had used a stone to hit Ki Ageng Mangir's head so that the ruler of Mangir's fiefland died.

A love for the wife that leads to death.

But that is a choice that must be taken by Bagus wanabaya for the sake of

***

Tirta Jaya Kusuma, Bayu and Adnan as well as when the escorting youth had been sitting on the sidelines some distance away from these dancers.

But it seems that these ledek still keep their distance from the audience who participated in dancing.

Until finally some people who seem to have positions and positions that have been invited by Ki Demang Pucak fragrant has come down to dance to follow the dance of these ledek-ledek.

They seemed excited because this was entertainment at that time.

very lively entertainment that is favored by young people and men.

In the view of the Javanese, ledek is considered a negative image because in some dancers can be invited by rich men and indeed in some performances it has become common knowledge that men who dance with the ledek who then get sampur from the dancer, then this man has the right to accompany the dancer after the tayub dance is finished.

***

When then a large tall man had come dancing among these people and approached the tayub dancing girl, this man had a pretty sinister face with a brew covering his face.

Her hair is rather long and unruly, which gives off a pretty strong impression and is quite scary for these dancing girls.

especially when then this man with a little force has danced in front of the youngest and most beautiful girl among these four strippers.

the girl in seemed a bit timid to face the movements of the man who seemed rude and violent.

But this is the risk that these dancers have to face.

This job requires them to serve whoever the men want to jump in and dance with them.

Nevertheless, the, it is the right of the tayub dancers to determine which man the sampur or shawl that these dancing girls use that shows the dancing men that the dancer wants a man with her.

When then a young man had also descended to follow the dances of the tayub dancers, then this young man seemed to get more attention from the dancers.

But it seems that this young man must hold back because the movements of this crude-looking man have deliberately blocked the movement of the young man who has a pretty handsome face among the people in this place.

It seemed that this young man was the son of one who had a position in this territory.

however, it seems that this man is also a bit unhappy with this brewok man who seems to have been crazy about the youngest and most beautiful girl among the four tayub dancing girls.

For a moment this brewed man looked and mastered this one dancer so that the others did not dare to approach this one dancer.

Meanwhile, a gamelan harvester who seems to be the leader of this tayub troupe seems very worried about the plumber, especially he is worried about the youngest dancers.

His eyes were unceasingly looking down at the stage even though his hands were still moving the bat to the canes in front of him. (cock; a small gong-shaped musical instrument arranged in parallel).

If people pay close attention to the old man who is the leader of this tayub group will surely know that the view of this man looks very sharp.

It shows that there is something in this old man.

When it gets late, but it turns out that this rough and rough man continues to want to master this girl, then the young man who several times tried to approach this girl also seems to start to feel that men this brewok is starting to go too far.

Moreover, this young girl has not also given the sampur or scarf that is on her to this brewok man.

Precisely this Tayub dancer seems a bit frightened by the behavior of this man and looks rough.

Meanwhile, other dancers have started to give their sampur to the men who have been desired by these ledek girls.

A dancing girl dressed in blue had given her blue sampur to a man who seemed to look quite handsome even though he was a little old.

Meanwhile, the other tayub dancer girl has given her shawl to a young man so that they have pulled together without being disturbed by other men who follow the gamelan rhythm.

While another girl wearing gold clothes also seems to have prepared to give her golden-colored shawl to a man who has been accompanying her dance since.

"Ragil, we seem to be getting into trouble with that man's bust," said the leader who faced a set of canes in front of him to another man who held slenthem (a gamelan musical instrument in the form of a slab of iron arranged parallel to the wooden box).